The Frattini Bivouac is part of a Bergamo gallery’s experiment to ‘think like a mountain’. But in the thin air of the Italian alps, curatorial ideas are challenged in more ways than one

At 2,300 metres above sea level, Italy’s newest – and most remote – cultural outpost is visible long before it becomes reachable. A red shard on a ridge, it looks first like a warning sign, and then something more comforting: a shelter pitched into the wind.

The structure stands on a high ridge in the municipality of Valbondione, along the Alta Via delle Orobie, exposed to avalanches and sudden weather shifts. I saw it from above, after taking off from the Rifugio Fratelli Longo, near the village of Carona – a small mountain municipality a little over an hour’s drive from GAMeC, Bergamo’s Galleria d’Arte Moderna e Contemporanea – the closest access point I was given for the site visit.

I have been fortunate, and I know it. Now I’d like more successful people to admit that meritocracy is a myth

• Julian Richer is the founder of Richer Sounds and the Fairness Foundation

When you think about what has got you to where you are today, what pops into your head first? Perhaps hard work and determination, aided by a degree of talent? No doubt these have played an important role. But how much do you think that factors outside your control – what we might think of as luck – have influenced your path in life, for good or ill?

I believe that many of us – especially those who consider ourselves successful – underestimate the role that luck has played in our lives. And I’m not just talking about random life events, like winning the lottery, I’m thinking about luck in the broader sense of the circumstances into which each of us is born.

Julian Richer is a retail entrepreneur, author and philanthropist who founded Richer Sounds in 1978. He is the founder of the Fairness Foundation

One of the most prolific and popular actors of his generation, he reflects on therapy, homophobia, why he suspects now is the worst time in history for trans people, and his secret life as a geek

Russell Tovey’s best characters often seem to have it all together, typically as a barrier to further interrogation. Take his recent projects: in surreal BBC sitcom Juice, Tovey plays Guy, a buttoned-up therapist with a seemingly perfect life, hobbled by an aversion to recklessness. Then there’s the closeted Andrew Waters in award-winning American indie film Plainclothes, a well-respected married man of faith who secretly cruises New York shopping mall toilets. Even in the forthcoming Doctor Who spin-off, The War Between the Land and the Sea, Tovey’s character, Barclay, is an ordinary office clerk who is swept up into a planet-saving mission while trying to keep his family from falling apart. In each performance, Tovey anchors his characters with a beguiling mix of strength, empathy and vulnerability.

In interviews, the immaculately put together Tovey, 44, often seems similarly well-adjusted, speaking eloquently about his acting, his passion for art (he co-hosts the successful podcast Talk Art and has co-written three books on the subject) and his advocacy for the LGBTQ+ community. Flaws, if there are any, are carefully stage-managed.

Abdalmonim Alrabea has appeared in hundreds of videos in which he expresses support for paramilitary group accused of committing genocide

A British citizen based in Sheffield appeared in a TikTok live broadcast laughing along while a notorious fighter from Sudan’s paramilitary Rapid Support Forces group boasted about participating in mass killings in the city of El Fasher.

The video, broadcast on 27 October, is just one of hundreds posted to social media in which 44-year-old Abdalmonim Alrabea expresses support for the RSF and the ethnically targeted atrocities it has committed in Sudan’s western Darfur region.

Toxic male behaviour of David Szalay’s protagonist reflects real-world concerns about a ‘crisis of masculinity’

In the immediate aftermath of David Szalay’s book Flesh winning the Booker prize, one feature of the novel stood out: how often the protagonist utters the word “OK”.

The 500 times István grunts out the response is part of a sparse prose style through which the British-Hungarian Szalay gives the reader few insights into the inner workings of a man whose fortunes rise and fall.

Flesh by David Szalay (Vintage Publishing, £18.99). To support the Guardian, order your copy at guardianbookshop.com. Delivery charges may apply.

He played china mugs, bells, rattles and car horns for everyone from Alfred Hitchcock to Benjamin Britten – and once got Laurence Olivier to bang a broomstick. We go behind the scenes of a Radio 3 celebration

Saturday night and the Britten Studio at Snape Maltings is filling up with 300 chattering punters. We are about to record a show that will go out “as live” on BBC Radio 3. This is a one-shot wonder: for one night only, in this drama-documentary, we are exploring the work of percussionist James Blades. Our setup neatly combines the most stressful elements of a live show, plus the key aspect of audience participation which we have – obviously – no proper chance to rehearse. Nerves are fraying. How did it get to this? And who is James Blades anyway?

Born in 1901, Blades was one of the great percussionists of the 20th century, whose life spanned the century itself – he died in May 1999. His blazing talent combined with a startling capacity for hard work took him to the top of his profession and later made him a mentor to music stars as varied as rock drummer Carl Palmer, percussionist Evelyn Glennie and a young Simon Rattle.

Home secretary to announce a drastic tightening of rules, including requiring asylum seekers to wait 20 years before getting the right to permanently settle in UK

Momentum, the leftwing Labour group, has also denounced the government’s asylum plans. In a statement it says:

The home secretary’s new immigration plans are divisive and xenophobic.

Scapegoating migrants will not fix our public services or end austerity.

Draconian, unworkable and potentially illegal anti-asylum policies only feed Reform’s support.

The government has learnt nothing from the period since the general election.

Some of the legal changes being proposed are truly frightening:

Abolishing the right to a family life would ultimately affect many more people than asylum-seekers.

US president says he backs efforts to release documents related to late sex offender because ‘we have nothing to hide’

• US politics live – latest updates

• How the Epstein row plunged Maga world into turmoil – a timeline

• Epstein emails: key takeaways from 20,000 pages of newly released files

Donald Trump has told his fellow Republicans in Congress to vote for the release of files related to the late convicted sex offender Jeffrey Epstein, in a sudden reversal of his earlier position.

The US president’s post on his Truth Social website came after the House speaker, Mike Johnson, said previously that he believed a vote on releasing justice department documents in the Epstein case should help put to rest allegations “that he [Trump] has something to do with it”.

Hasina sentenced in absentia by court in Dhaka over deadly crackdown on student-led uprising last year

Bangladesh’s deposed prime minister Sheikh Hasina has been sentenced to death in absentia by a court in Dhaka for crimes against humanity over a deadly crackdown on a student-led uprising last year.

A three-judge bench of the country’s international crimes tribunal convicted Hasina of crimes including incitement, orders to kill and inaction to prevent atrocities, as she oversaw a crackdown on anti-government protesters last year.

Move to give mayors powers to raise funds through levies, but industry says it will ramp up prices and inflation

• Business live – latest updates

British holidaymakers could have to pay a nightly tax on hotel stays and Airbnb-style visits in plans expected to be announced by Rachel Reeves in the budget next week.

The chancellor is reportedly preparing to give mayors powers to raise taxes by charging tourists on the cost of an overnight stay in their cities.