From a newer, greener Top Gear to the greatest comedy of all time, here are the series Guardian readers most want back on our screens

As Line of Duty and Doctor Foster both return for new series, we asked what TV programmes you’d like to see revived next. Here are your responses.

‘She is the daughter of immigrants,’ supporters of her cruel asylum policies say. ‘How can she be wrong?’ Let me put them straight

Over the past couple of weeks, Shabana Mahmood has launched not only her new asylum crackdown policy, but also her “story”. The two are inseparable: her story justifies the crackdown. It moralises the crackdown. And it silences criticism of the crackdown. Sold as an origin story from within an immigrant and racialised experience, the purpose is to imbue her politics with sacred authenticity – the credibility of the first person. It is clever and effective. It is cynical and disgraceful.

“I am the child of immigrants” is how Mahmood now starts her fable. Immigrants who came here legally. She goes on to tell us that immigration is tearing this country apart, and proposes policies that mean UK-born children, who have known no life anywhere else, will be deported. As she launches policies that will leave refugees homeless and without support, tear families apart, punish those legally in the country for claiming any benefits and make settlement and security a long and arduous process, Mahmood declares: “this is a moral mission for me”.

Nesrine Malik is a Guardian columnist

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Our muscles, bones and organs are held together by a network of tissue that influences our every move. Is there a way we can use it to our advantage?

Fascia, the connective tissue that holds together the body’s internal structure, really hasn’t spent all that long in the limelight. Anatomists have known about its existence since before the Hippocratic oath was a thing, but until the 1980s it was routinely tossed in the bin during human dissections, regarded as little more than the wrapping that gets in the way of studying everything else. Over the past few decades, though, our understanding of it has evolved and (arguably) overshot – now, there are plenty of personal trainers who will insist that you should be loosening it up with a foam roller, or even harnessing its magical elastic powers to jump higher and do more press-ups. But what’s it really doing – and is there a way you can actually take advantage of it?

“The easiest way to describe fascia is to think about the structure of a tangerine,” says Natasha Kilian, a specialist in musculoskeletal physiotherapy at Pure Sports Medicine. “You’ve got the outer skin, and beneath that, the white pith that separates the segments and holds them together. Fascia works in a similar way: it’s a continuous, all-encompassing network that wraps around and connects everything in the body, from muscles and nerves to blood vessels and organs. It’s essentially the body’s internal wetsuit, keeping everything supported and integrated.” If you’ve ever carved a joint of meat, it’s the thin, silvery layer wrapped around the muscle, like clingfilm.

I can’t dance. Not even a little bit. But the terrible moves my friends mock are an antidote to the racing heart and quivering breath that arrive in my more anxious moments

The first time I started dancing at home was a happy accident. I’d just had a terse conversation with an ex, and my body was reacting in its usual way: racing heart, quivering breath and trembling fingers. I needed to calm down. Looking around for quick fixes in my flat – my bed, some stale chocolate digestives and a packet of cigarettes – I settled on the kitchen radio, which had been humming faintly in the background all morning.

Tuned to BBC Radio 6 Music, it was playing a disco track I didn’t recognise. But the beat was steady and intermingled with the sounds of tambourines, synths and drums. I turned up the volume, and then my body was moving: limbs swinging, feet tapping, hips wiggling. I continued into the next song, leaning into the feeling and becoming more animated to the sounds of another upbeat 70s track, imagining myself on a crowded, sweaty dancefloor. It was all very silly. But by the third song, my anxiety had melted away. I was smiling. And I felt more like myself again.

Michel Simon, who steals the show in Jean Vigo’s 1934 masterpiece L’Atalante, was a soft-faced, gravelly voiced clown capable of tremendous pathos – and total chaos

Jean Vigo’s L’Atalante, his poetic and surreal 1934 romance about a young couple living on a canal barge, is one of the most beautiful, sensual films of all time. Dita Parlo and Jean Dasté play the newlyweds getting awkwardly accustomed to married life in close quarters, and their love story shapes the film. But it’s their bargemate, the uncouth Père Jules, played by Michel Simon, who steals the show: a well-travelled sailor speckled with tattoos, standing guard over a cabinet of risque and macabre curiosities, whose cabin teems with cats every bit as unruly as he is.

The Swiss actor Michel Simon was one of the most distinctive presences in 20th-century French cinema: a soft-faced, gravelly voiced clown capable of tremendous pathos, and true chaos. Charlie Chaplin called him “the greatest actor in the world”. He worked with the best European directors on some timeless films. As well as acting for Vigo, he played the timid man transformed by his affair with a sex worker in La Chienne (1931) and the incorrigible tramp in Boudu Saved from Drowning (1932) for Jean Renoir. He worked with Marcel Carné in films such as Le Quai des Brumes (1938), with Carl Theodor Dreyer in The Passion of Joan of Arc (1928), with René Clair, Marcel L’Herbier, Julien Duvivier, GW Pabst … even John Frankenheimer in The Train (1964). “When Michel Simon plays a part,” said Truffaut, “we penetrate the core of the human heart.” He spent five decades working in the cinema, starting out in the silents, and received his highest accolade, the Berlinale’s Best Actor award in 1967, for his role as an antisemitic peasant befriending a young Jewish boy during the war in The Two of Us (Claude Berri). Reviewing that movie, Renata Adler called Simon “an enormous old genius … the general impression is that of an immense, thoughtful, warm-hearted and aquatic geological formation”.

Disqualifications of Lando Norris and Oscar Piastri bring unnecessary stress for McLaren in the final two F1 races of the season

As misjudgments go, McLaren’s error in calculations that led to the disqualification of Lando Norris and Oscar Piastri from the Las Vegas Grand Prix on Sunday could barely have been more cataclysmic nor more poorly timed. Quite how they got it wrong just when they wanted to close out the drivers’ championship with as little fuss as possible will take no little explanation.

Norris and Piastri, second and fourth respectively to Max Verstappen’s win in Nevada, had been solid enough results until the FIA discovered the skid blocks on their cars had been worn beyond the 9mm limit. In one fell swoop, Verstappen was right back in the fight, alongside Piastri, 24 points back from Norris.

Michael Prescott tells select committee ‘there was no ideology at play’ when he wrote memo

Caroline Daniel is also asked about her views on editorial bias.

“My experience was the BBC took issues of impartiality extremely seriously,” she said.

Some of Russia’s maximalist demands have been removed from original 28-point proposal, it is understood

• Europe live – latest updates

Ukraine has significantly amended the US “peace plan” for Ukraine, removing some of Russia’s maximalist demands, people familiar with the negotiations said, as European leaders warned on Monday that no deal could be reached quickly.

Volodymyr Zelenskyy may meet Donald Trump in the White House later this week, they indicated, amid a flurry of calls between Kyiv and Washington. Ukraine is also pressing for Europe to be involved in the talks.

Lord Evans of Watford and Lord Dannatt were filmed breaking rules, in undercover footage recorded by Guardian

• Analysis: Easy for peers to abuse privileged position

• UK politics live – latest updates

Two long-serving peers are to be suspended from the House of Lords after a parliamentary watchdog ruled that they had broken lobbying rules.

Richard Dannatt, a former head of the British army, and David Evans, Lord Evans of Watford, were filmed breaking the rules in undercover footage recorded by the Guardian.

In June 2022, Dannatt lobbied ministers and officials to provide millions of pounds in financial support for a venture looking to purchase a fertiliser factory. Three days after the meeting with a minister, he was paid £2,000, followed by another three payments of £2,000 months later.

In January 2023 and September 2024, at the instigation of executives at Teledyne, a US defence company that paid him, Dannatt wrote to Home Office ministers to lobby them for “assurances” the government was taking action against Palestine Action. The letters followed an attack by the group on the company’s factory.

In January 2024, Dannatt wrote to the UK’s top diplomat in Ghana to organise a meeting with her that he attended with the director of a British goldmine company. They used that meeting to lobby her to get support from the Ghanaian government for the company, in which Dannatt had shares.

West Midlands police’s assistant chief constable says threat of violence by Maccabi fans was more important consideration

Badenoch says the government should be cutting regulation.

And she claims she can do this because, when she was business secretary, she was able to cut regulation. As an example, she says she ruled about mandatory ethnicity pay reporting.

Fewer and fewer people are working to support more and more people out of work and living on welfare. The rider is getting heavier than the horse.