Baron Cohen’s live-ammo prankster is back, 20 years on, but has to battle with his own irrelevance in search of big laughs and the approval of a new generation

• Exclusive: Republican leader embarrassed by film says he plays to sue Sacha Baron Cohen: ‘A liar and a pervert’

If you liked Sacha Baron Cohen’s Ali G the first time around, you’ll like this less; if you disliked it, you’ll dislike this more; if you suspected it was racist, you’ll be more emboldened to say so – especially as Baron Cohen has dreamed up a whole new character apparently to pre-empt and mock precisely that objection. Broad and crass as it often is – in fact always is – this Ali G sequel is sometimes funny: the athletic vigour of our hero’s pranking and punking is like the umpteenth Jackass film at which you might find yourself laughing, and Baron Cohen blunders with the semi-intentional force of an XL bully into the issue of whether jokes are still allowed.

Unlike the first film, Ali G in Da House from 2002, this is not a full written-through narrative. It is basically another live-ammo series of hoaxes with some spectacular bad taste perpetrated upon the deserving and less deserving; it satirises the shamelessness of anti-woke free speech martyrs, punching up and down with grossout cringe, and the targets include some big names who shouldn’t be revealed here. There are two other subordinate characters: Erran Morad, a sinister Mossad/IDF officer turned US security consultant (who appeared in Baron Cohen’s Who Is America? TV series), and a new figure: Dr Nira Cain-N’Degrocello, a grotesquely supercilious white liberal who is the self-appointed scourge of cultural appropriation. The dupes are built into a big silly climax fabricated with body doubles and (presumably) covert reshooting.

See if you can do a better job than John Healey at creating a budget that keeps MPs and the bond markets onside

On 28 October, John Healey will announce the autumn budget to parliament. As in all years, the chancellor has to strike a balance between the following:

Raising the money needed to fund the services that voters demand.

Keeping taxes at levels that are acceptable to voters.

Persuading the government’s creditors in the bond markets that it will continue to be able to pay its debts.

Europe’s leaders can no longer trust a word that comes out of Washington. No more slaps on the wrist – we need concrete steps to punish Trump

Historical comparisons are always inexact. No one conflict precisely mirrors another. Yet Donald Trump’s shameless appeasement of Vladimir Putin carries more than a noxious whiff of Neville Chamberlain’s failed attempt in Munich in 1938 to head off war with Nazi Germany. To be fair to the former UK prime minister – and history largely hasn’t been – his peacemaking efforts had the enthusiastic backing of most people in Britain and France who, like him, were desperate to avoid a repeat of the horrors of the first world war. Trump enjoys no equivalent public support for his treachery. Nor does he face the prospect of a US war with Russia. His betrayal of Ukraine is cynically self-interested, globally dangerous and utterly contemptible.

US-Russian talks on agreeing the shoddy terms of a precedent-setting American sell-out of Ukraine are at an advanced stage, after meetings in St Petersburg this week. Trump has zigzagged over the war ever since returning to office. Now, panicked by record-low poll ratings, he seems determined to scapegoat Ukraine and force its de facto capitulation. Recent steps – his shocking decision to fund Putin’s war machine by buying Russian diesel, his waiving of tougher sanctions, his mysterious, lethal interruptions in US satellite and intelligence sharing with Kyiv, and his renewed attempt to oust Ukraine’s president, Volodymyr Zelenskyy – mark Trump out as the skulking Judas, the craven Brutus of the modern age. He makes Chamberlain look like a man of iron principle. All that’s lacking is an umbrella.

Simon Tisdall is a Guardian foreign affairs commentator

James says Tony leaving the cat’s water bowl where they prepare food is unhygienic. Should they feed their feline on the floor? You decide

• Find out how to get a disagreement settled or become a juror

It’s unhygienic. The cat will jump out of her litter box and on to the surface where we prepare food

An inflatable Lady Godiva is just one of the thrills in a Pia Camil’s ode to lust. But why is Mark Leckey feeling so doomy and Cindy Sherman so bougie?

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The nine-piece London-based group take a radically fresh approach to traditional music, sounding raging, lo-fi and joyful as they link Britain’s violent past to its present

Those thus far unaware of Shovel Dance Collective’s bracing approach to folk should probably note that their third album is not much interested in breaking newcomers in gently. Everything in Readiness kicks off with a three-song suite that lasts more than 10 minutes and takes you, via a series of dramatic sonic jump-cuts, from a grinding one-note drone to a reel that seems to split the difference between trad folk fiddle-playing and the punishing squall of the Velvet Underground’s Black Angel’s Death Song. It then leaps to Tally Ho! Hark Away!, which sets a hunting song first collected in the late 1940s over a blast of what might best be described as ecstatic noise. It’s genuinely hard to work out what instruments are involved in the clattering arrhythmic chaos behind the vocal – there’s definitely a heavily distorted guitar in the mix – but the effect is weirdly euphoric rather than claustrophobic: a kind of purgative release after the mounting weirdness of the preceding reel.

If you’re looking for evidence that the nine-piece London-based group take a radically fresh approach to folk music, then there it is. The glib shorthand is that they’re doing for traditional English music what Lankum have done for its Irish equivalent – joining the dots with the kind of out-there experimentation that fills the pages of the Wire magazine – although it should be pointed out they sound almost nothing like Lankum. Anyone who already has an interest in leftfield explorations of British musical history might suggest their chaotic collage approach feels more akin to the fascinating collections of field recordings, folk song and avant garde composition released by Todmorden-based label Folklore Tapes. The music on Everything in Readiness careens unpredictably from gentle lo-fi recordings caked in distortion and tape hiss to the tumultuous, surging racket they serve up on their version of the traditional coalminer’s song Jowl, Jowl and Listen; from singing unaccompanied by anything but the sound of birdsong to the disquieting ambient shimmer of Who Killed Cock Robin? A Summoning (Kind Morning in our Fists), which sounds like it was recorded in a vast, echoing crypt.

Exclusive: British Chambers of Commerce president calls for overhaul of business rates and greater powers for local leaders

• How Middleton’s revival could inspire struggling towns

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Andy Burnham has been urged by one of his most senior former advisers to tax internet sales more heavily than in-store purchases to help “level the playing field” for struggling high streets.

As the prime minister and his chancellor, John Healey, prepare for their first budget next week, Andy Haldane joined calls for action to stop more shops closing across the UK.

Some 32 government services are offline while work is carried out to address potential cybersecurity issues, a minister has said

• Tell us: have you been affected by the PHP code flaw?

The Office for National Statistics has also published a report on the gender pay gap. It says:

The gender pay gap for full-time employees has continued to decline in the UK. It was 6.8% in April 2026, down from 7.2% in April 2025. This compares with 9.4% a decade ago and 16.4% 25 years ago.

Secondly, I asked Healey whether he sees the banks as making excessive profits, which would be the coherent justification for him to increase the surcharge on bank profits – as he is expected to do in the Budget next week.

He said: “You know the banks are the engine of investment in this country. The banks are doing well at the moment and that is good to see.

Judge threatens to dismiss Trump’s BBC lawsuit unless he cooperates with discovery process and sits for deposition

Donald Trump has been ordered by a US judge to cooperate with the discovery process mandated for his lawsuit against the BBC and to sit for a deposition by 11 December – or else he could be subject to sanctions, including the possible dismissal of the $10bn lawsuit.

The lawsuit stems from a Panorama documentary aired by the BBC that spliced together comments made by Trump during a rally on 6 January 2021, before the US Capitol riot. While the broadcast was not readily available to view in Florida, Trump’s team has argued that he was personally damaged by the broadcast under Florida’s Unfair and Deceptive Trade Practices Act.

French president will decide on concrete ‘next steps’ regarding demonstrations on Friday as part of tough security response to recent rioting

• Angry lawyers and bewildered defendants: the fallout from fast-tracking French rioting cases

Emmanuel Macron has said “illegitimate” demonstrations will be banned over the coming days as France seeks to get a grip on civil unrest after some of its worst street violence in years erupted on the fringes of cost of living protests at the weekend.

Speaking after a ​meeting with intelligence chiefs and senior ministers, the French president said on Thursday that demonstrations organised by recognised groups would be allowed to go ahead, although their routes could be changed.